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Alana Haim, Bill Camp and Hope Davis also feature in this early ‘70s-set story of an out-of-work carpenter who pulls off a ...
Kelly Reichardt's latest film, 'The Mastermind', premiered at the Cannes Film Festival to a warm reception, with the audience awarding it an 8-minute ...
Cannes: Reichardt's purest genre exercise since 2013's "Night Moves" retains her patient bent toward long, lonely takes while also delivering on a few sophisticated heisty thrills. When the jazzy ...
But this is Kelly Reichardt, so it’s not how she films the heist itself, which is comically bumbling and fumbling and lo-fi. Instead, it comes later, during another mordantly funny stretch which ...
This review is based on a screening at the 2025 Cannes Film Festival. Kelly Reichardt’s heist movie The Mastermind is crackingly, urgently alive, an assured and magnificent addition to an ...
With an anti-eco-thriller, an anti-buddy-road-movie and a couple of anti-westerns under her belt, Kelly Reichardt may never have met a genre she couldn’t meticulously deconstruct. But rarely has she ...
But Reichardt, in her typically fashion, lowers the financial stakes — Mooney’s plan is to steal several paintings by the lesser-known early American modernist Arthur Dove — while raising ...
Kelly Reichardt often tackles genres from oblique angles, subverting their most recognisable tropes to make something personal and deeply felt. Such is the case with The Mastermind, ostensibly a ...
Josh O’Connor heaped praise on his “The Mastermind” director Kelly Reichardt during the film’s Cannes press conference on Saturday, saying “there’s a kindness” to working with her ...
The robbery takes place in the opening third. Then Reichardt’s heist movie shifts into something else. Mooney’s attempt to make it big collapses back on himself, destroying his life and that ...
Few minds could be less masterly, you might think, than the stoner sponge between the ears of J.B. (Josh O’Connor), who, in Kelly Reichardt‘s Cannes-closer The Mastermind, conceives a plan to ...