I t was only February when we headed to Stratford-upon-Avon to review Hamlet, so it comes as quite the surprise to head ...

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number ...

Hamlet Hail to the Thief races through Shakespeare’s 425-year-old tragedy in a swift, tightly focused 1 hour and 40 minutes.

Mystery and menace dominate from the outset, as swirling mist envelopes a hanging scaffold of faceless, grey suits, above ...

Peter Ormerod reviews Hamlet Hail to the Thief, presented by the RSC and Factory International at the Royal Shakespeare ...

Hamlet’s juddering decline is matched elsewhere in a production not short on madness. Paul Hilton gives Claudius a seriously ...

This production is erotic, evocative, lean as a bone and, at a certain point, leaves HAMLET behind entirely. Director Robert ...

Christine [Jones, co-director] describes the show as having a dark obsidian emotional heart and that's what we’re going for.

The story of the art-rock trailblazers misfiring sixth album, one that even the band themselves confess is "a lower part of ...

Director Robert O'Hara's noir version of 'Hamlet,' starring Patrick Ball and premiering at Mark Taper Forum, audaciously but incoherently toys with Shakespeare's tragedy.

A new initiative in the UK is pairing iconic silent films with era-defining records. The first sees 1922’s classic 'Nosferatu ...

The original 1922 version of 'Nosferatu' is set to get a new cinema release where it will be set to Radiohead’s classic album ‘Kid A’.