One of the world’s largest cities, São Paulo has inspired generations of filmmakers to engage with its scale and contradictions, transforming the city's tensions and dynamism into some of Brazilian ...

Christian Petzold sorts through the older films that bubbled up into his imagination as he made his enigmatic new mystery drama Miroirs No. 3.

A young Argentinian woman searches the for her father in a defiantly introspective film from Sofía Petersen that looks like nothing else in the cinematic landscape.

With its angular typeface and graphic elements that feel both space-age and like a throwback to the art deco era, this original quad for the David Bowie sci-fi – now 50 years old – is a classic of ...

Carla Simón’s story of a young woman untangling a web of family secrets cements the Galician filmmaker’s aptitude for naturalism while also marking a bold new step towards magical realism.

A haunted Irish hotel becomes a site of personal reckoning for a haunted man played by Adam Scott in Damian McCarthy’s surreal horror-comedy.

As Alan Pakula’s Watergate thriller turns 50, we revisit Richard Combs’ assessment of its masterful pacing, controlled performances and potent tension. From our Summer 1976 issue.

This week we hear from PhD researcher Rebecca Humphreys‑Lamford about their experiences undertaking a placement with the BFI to explore asexuality in the archive.

In this poignant story of a teen athlete ostracised by his teammates after a traumatising accident, Belgian director Valéry Carnoy captures the volatile nature of adolescent masculinity with striking ...

From Coffin Joe’s blasphemous birth in the 1960s to today’s socially charged nightmares, Brazilian horror has repeatedly repurposed global genre tropes to confront religion, patriarchy, class and ...

Opera director Damiano Michieletto discusses bringing Antonio Vivaldi’s early Venetian years to the screen in Primavera, a film that blends Baroque music, modern soundscapes and a quietly radical ...

Following a Colorado cowboy (Josh O’Connor) who must piece his life back together after losing his ranch to a wildfire, Max Walker-Silverman’s quietly powerful film is an ode to family and community.