Leave it to Kelly Reichardt to make a ‘70s movie that looks and feels like a lost ‘70s movie, from its scruffy visual aesthetic to its muted colors, its patient character observation and unhurried ...

The U.S. filmmaker will receive the Pardo d’Onore at the Swiss festival, present his films 'The Descendants' and 'Nebraska,' ...

Cannes: Reichardt's purest genre exercise since 2013's "Night Moves" retains her patient bent toward long, lonely takes while also delivering on a few sophisticated heisty thrills.

Kelly Reichardt’s The Mastermind can be described as a heist-gone-wrong, but it is not as interested in the act of stealing itself, as it is in the robber.

The Mastermind shows Kelly Reichardt is one of the best filmmakers working today, cutting deeply into both character and ...

Nebraska director Alexander Payne will receive the Pardo d’Onore at the Locarno Film Festival. The American filmmaker will be ...

Kelly Reichardt's latest film, 'The Mastermind', premiered at the Cannes Film Festival to a warm reception, with the audience awarding it an 8-minute ...

Max is losing 63 movies on June 30th, including, 20th Century Women, St. Vincent, Lady Bird, RoboCop, and Taxi Driver.

With its clear blue Mediterranean waters, unpredictable May weather, red carpet glitz and glamour, and timed standing ...

Josh O’Connor heaped praise on his “The Mastermind” director Kelly Reichardt during the film’s Cannes press conference on Saturday, saying “there’s a kindness” to working with her ...

Jauntier than any of Kelly Reichardt’s previous work, “The Mastermind” packs an ironic punch. That the title need not be taken literally becomes clear right from the start, of course ...

The robbery takes place in the opening third. Then Reichardt’s heist movie shifts into something else. Mooney’s attempt to make it big collapses back on himself, destroying his life and that ...