In director Alice Maio Mackay’s latest, the balance between camp, melodrama, and slasher is less a finely constructed dance and more a juggling act where sometimes one tone lingers in the air longer ...

To paraphrase John Huston’s villainous Noah Cross in “Chinatown,” politicians, old buildings, and disreputable movie genres all get respectable if they last long enough. Take the slasher film, for ...

Aiming to subvert the all-American exploitation film with progressive comment and a touch of diversity, this horror soon reverts to hokey tropes and carnage ‘The world is changing. I can feel it – don ...