As the story goes, one night in 1978, in a hotel room in Tucson, Bob Dylan was feeling down and out. Dylan had a vision of ...

His identity was a performance ... which in one sense is a parable of artistic ruthlessness—needs a climax. And Bob Dylan, more than most rock stars, is a myth. In all senses of the word.

The Freewheelin’ Bob Dylan was released in 1963, shortly after the artist turned 22 years old ... and political music scenes that formed his identity as a musician. According to Dylan himself ...

But I’m Not There remains a fascinating anti-biopic — a shape-shifting portrait of an artist who refuses to be pinned down or boxed in. Rolling Thunder Revue: A Bob Dylan Story by Martin ...

Our critic watched every film with him that she could find to better understand the artist. By Alissa Wilkinson ... But there’s something unique about Bob Dylan’s big-screen presence.

Everything, in other words, that Bob Dylan has tried to avoid in his 60 ... so we’ve assigned him this opaque or enigmatic identity. And Bob has enough P.T. Barnum in him to say, “I’ll ...

Someone sidles up to me, Negroni or Coke in hand, and asks, sotto voce, Have you seen the Bob Dylan movie ... I think this ability to try on a new identity — something the movie shows him ...

A new Bob Dylan biopic ... shackles of Cold War conformity in his music. Once Dylan made it to New York's Greenwich Village, it was the art-house international films that caught his eye ...